Bee-Tee

Blue Tactics

Blue Tactics is a cybersecurity brand identity built around visibility, awareness, and fast response in a changing digital world. At the center of the identity is Bee-Tee — a custom whale symbol with an integrated eye, representing smart detection, awareness, and the ability to spot threats others might miss. The whale also symbolizes the ability to dive deep into the unknown, exploring hidden layers beneath the surface.

The typography has a slight forward angle to create a feeling of movement, speed, and precision, reflecting the company’s tactical and responsive approach to cybersecurity. Together with fluid ocean-inspired gradients and dynamic visual elements, the identity combines technology and trust with a calm but alert feeling.

More than just a logo, Bee-Tee was designed as a flexible visual system with different states and motion-inspired variations, helping the brand feel modern, adaptive, and alive across digital platforms.

Creative/Art Director: Max Rosell

God’s eye

Optic

I created the artwork and sleeve design for Optic’s release God’s Eye by deconstructing the original logo into modular geometric blocks. The logo was divided into square-based elements and reassembled into a repeating “optic” pattern, creating a visual system that feels both architectural and hypnotic.

To give the identity a tactile and physical presence, the pattern was translated into raw concrete forms with dramatic lighting and depth, blurring the line between graphic design, sculpture, and industrial art direction. The result is a minimal yet atmospheric visual language inspired by brutalist architecture, electronic music aesthetics, and spatial illusion.

Creative/Art Director: Max Rosell

Energy-Saving Tips

Norrenergi

Energy saving isn’t complicated. It’s just easy to ignore. So instead of telling people what to do, we showed it through “the Norrenergi dad,” a character stuck in humorously relatable everyday situations.

In one film, peak weekend coziness becomes bleeding radiators while eating popcorn. Because saving energy doesn’t have to be a big effort, it’s about the small things you do without thinking.

From lowering the temperature to air-drying laundry, each film turns simple habits into entertaining, memorable moments. Simple tips. Told in a way people actually want to watch.

Creative/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt
Intern Art Director: Emi Celis
Photographer: Jakob Wikmark
DOP/Post producer/Online/Grade: Jakob Wikmark
Client: Elinor Haag, Annika Bremborg, Norrenergi
Advertising Agency: BANG Agency

Weekly Green Price

Coop

Many people want to eat healthier, but often experience it as complicated, expensive, or hard to maintain. Coop, a member-owned retailer with a strong focus on sustainability and value, set out to make healthy choices simpler and more accessible in everyday life.

Weekly Green Price is an always-on initiative where the price of one fruit and one vegetable is reduced by at least 25% every week, all year round. Never less, often much more. The idea turns a long-term health ambition into a clear, repeatable habit members can rely on week after week.

Rather than focusing on short-term offers, the concept is built as a long-term promise, supported by a flexible communication system designed to work across paid media, owned channels, and in-store – without weekly production pressure.

Visually, fruits and vegetables are elevated as heroes, balanced on a podium like winners. The compositions symbolize balance in everyday life – between health, value, and enjoyment. Carefully composed but never perfectly symmetrical, the stacks reflect a human, achievable ideal rather than perfection. The podium signals priority and value, while the visual system remains consistent, recognizable, and built to evolve over time.

Creative Lead/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Intern Art Director: Emi Celis
Photo: RBLS
Retouch: RBLS
Advertising Agency: BANG Agency

Många säckar små

Städa Sverige

The starting point was a reinterpretation of a familiar Swedish phrase — “Många bäckar små.”

A simple wordplay, reimagined to reflect both the scale and the spirit of the work. The headline became the carrier of everything: the effort, the accumulation, and the human commitment behind the numbers. Not just what was collected — but what it made possible. 1,650,000 yellow bags and 300 million SEK raised for youth sports since 1988.

News article in Resumé about the campaign.

Creative/Copywriter/Art Director: Max Rosell
Creative/Copywriter: Alba Montheli
Creative/Copywriter/Content Creator: Lucas Klarén
Account Director: Christian Nivelius

Midsummer

Coop


In Coop’s 15-second Midsummer commercial, a beautifully set holiday table by the water becomes the stage for a very familiar Swedish scene – just as the celebration begins, the skies open and heavy rain pours down over both the food and the guests. With a playful wink to the unpredictable Midsummer weather, the film turns mishap into opportunity: Coop has the solution. No matter what the weather brings, you’ll find everything you need to save the celebration at Coop.

Creative Lead/Art Director: Max Rosell
Creative/Copywriter: Sara Nydrén
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt
Advertising Agency: BANG Agency
Production Company: Thirsty Film
Director: Sebastian Hedin

Coopcake

Coop

Sometimes ideas are born in the most unexpected ways. For me, it started with a hand-drawn sketch – a spontaneous thought about how a cupcake could become part of Coop’s member experience. Later, Peter Fjäll and I developed the idea into a simple ad and pinned it on my inspiration wall – where it stayed… until Coop visited our office in December and noticed it.

And now the Coopcake has been launched – a small pastry created with love for all Coop members, developed together with a truly wonderful team.

Seeing a sketch on the wall actually turn into reality feels both surreal and incredibly fun. A huge thank you to Coop for believing in the idea and turning it into something genuinely sweet!

As Minna Dahlberg, Head of Marketing at Coop, so beautifully put it:

“Taking a moment to pause and enjoy is just as important for a balanced lifestyle as eating healthy and varied meals. That’s why we are now launching the Coopcake, as a small token of our appreciation for all our members on special occasions such as our member days.” (Nyheter24.se)

Creative Lead/Art Director/AI prompt: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Christian Nivelius
Account Manager: Ola Granfeldt
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Final Art: Magnus Fernström
Production Company: Adeprimo
Retouch: RBLS


Smooth At Work 

Coop


With Coop’s new invoice app, shopping as a business customer becomes easier than ever. No more paper receipts or complicated expense reports – everything is collected on a single invoice, giving you full control and saving valuable time. Whether you shop in-store or online, the experience is smooth and practical, designed to fit the everyday needs of small and medium-sized businesses, offices, workplaces, and entrepreneurs. And along the way, you’ll get a little something tasty to keep you going. With Coop Business and our invoice app, it’s always smooth at work. Visit coop.se and sign up today.

Creative Lead/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Ola Granfeldt
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Photography/Director: Sebastian Hedin
Production Company: Thirsty Film
Director: Sebastian Hedin
Advertising Agency: BANG Agency

Hooray! Best for members!

Coop

For this campaign, Coop wanted to clarify the benefits of its membership program, which can sometimes feel complicated. We created a series of playful prints that break down the bonus system into something tangible and easy to grasp.

By showing how much a typical family or member spends per month, and translating the yearly bonus into everyday products – like 300 liters of milk, a pile of eggs, or 50 kilos of bananas – the message becomes clear: being a Coop member really pays off.

With bold typography, brighter colors, and simple product visuals, the campaign makes the math easy to understand while adding a touch of humor. The result is a set of engaging ads that both inform and entertain, encouraging more people to join the Coop membership. At the same time, the campaign served as a soft launch of Coop’s new Member graphic identity – featuring a more cheerful color palette and a playful frame that highlight the positive spirit of membership.

Creative Lead/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Ola Granfeldt
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Production Company: Adeprimo
Photo/Retouch: RBLS
Advertising Agency: BANG Agency

AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.

Deals on everything possible and impossible

Coop

When Coop Östra tasked us with creating a campaign for January – arguably the toughest financial month of the year – we saw an opportunity to think outside the box. Instead of the usual product-centric visuals that dominate sales and discount campaigns, we chose to shift the focus to the consumer.

What we didn’t anticipate was the media frenzy that followed. The use of AI-generated imagery sparked widespread discussion, with articles in Aftonbladet, Aftonbladet Facebook, Daglivarunytt, P3 Nyheter, Citynytt, Sveriges Radio, Resumé Debate, two threads on Reddit, Reddit and on Nordisk AI debating the role of artificial intelligence in modern advertising. The campaign not only resonated with consumers – it became part of a bigger conversation.

One funny thing was that Aftonbladet’s article was written with the help of AI: “Sammanfattningen är gjord med stöd av Al-verktyg från OpenAl och kvalitetssäkrad av Aftonbladet.”

I liked this comment in Social Media: “Ni som klagar pả att Coop tar jobben från arbetarna genom att använda modern teknik, borde inte ni skriva brev till Coop istället för att använda modern teknik som sociala medier? Då kanske portot inte behöver höjas och vi får fler brevbärare?”

When the debater Ulrica Good comments on Coops earlier adverts, it just makes me laugh: “När jag tänker på COOP:s reklamfilmer är det helt blankt. Jag var tvungen att googla för att komma ihåg vad de gör. Och de är helt ok, men inget som fastnar.” That was exactly why we created this campaign – to stand out and be remembered and also try something new.

And the photographer Gustav Hallén wanted to show off and score some easy points. When he showcased his AI skills, he took a video frame screenshot from our campaign – a compressed video banner animated with AI in a 4×5 format – and used it for comparison. But for a fair test, I would have liked to see his still images animated first, then screenshotted at a random keyframe, and also in the correct compressed format. Naturally, his images would look better in that setup.

Interestingly, while Gustav was quick to respond to comments agreeing with him, he never engaged with this perspective. It’s always easier to entertain an echo chamber than to face a balanced conversation. Perhaps it’s a reminder that true creativity isn’t just about showing off skills – it’s about being open to all sides of the discussion.

Update – Three Months Later (2025-04-26) Remarkably, the campaign saw a new wave of attention three months after its initial launch. Svenska Dagbladet featured the campaign with a full-page spread in its weekend print edition – one of Sweden’s most prestigious newspapers – sparking renewed discussion. The story was also shared by Åkestam Holst on their official Instagram, further amplifying the exposure.

This resurgence highlights the campaign’s lasting impact and its ability to stay relevant over time.

Did some calculations with Chat GPT on this campaign – turns out the free exposure is worth a lot!

Range per channel
• Aftonbladet.se: ~300.000 views
• Aftonbladets Facebook: 10.000–20.000 views
• Citynytt: ~100.000 readers
• Dagligvarunytt: ~50.000 readers
• Sveriges Radio (Morgonpasset): ~500.000 listeners
• P3 Nyheter Instagram: ~160.000 followers
• LinkedIn post (Ulrica Good, freelance writer): ~157.000 views
• LinkedIn post (Max Rosell): 27.000 views
• LinkedIn post (Gustav Hallén): ~40 000 views
• Reddit posts: 140.000 views
• Nordisk AI: 50.000–100.000 views 
• Resumé.se (debate article): 50.000–100.000 views
• Svenska Dagbladet (print edition): ~500.000 readers
• Svenska Dagbladet (SvD.se): ~100.000 readers
• Åkestam Holst Instagram: ~10.000 views

Total reach: ~2,38–2,43 million people

PR value (ad cost for equivalent exposure)
• Aftonbladet.se: SEK 50.000–100.000
• Aftonbladets Facebook: SEK 10.000–25.000
• Citynytt: SEK 25.000–50.000
• Dagligvarunytt: SEK 25.000–50.000
• Sveriges Radio (Morgonpasset): SEK 100.000–200.000
• P3 Nyheter Instagram: SEK 50.000–100.000
• LinkedIn post (Ulrica Good, freelance writer): SEK 50.000–110.000
• LinkedIn post (Max Rosell): SEK 10.000–25.000
• LinkedIn post (Gustav Hallén, Photographer): SEK 15.000–30.000
• Reddit posts: SEK 30.000–60.000
• Nordisk AI: SEK 20.000–40.000
• Resumé.se (debate article): SEK 25.000–50.000
• Svenska Dagbladet (print edition): SEK 100.000–200.000
• Svenska Dagbladet (SvD.se): SEK 50.000–100.000
• Åkestam Holst Instagram post: SEK 5.000–10.000

Total estimate with PR value: SEK ~565.000–1.180.000

Creative Lead/Art Director/AI prompt: Max Rosell
Creative/Copywriter: Peter Fjäll
Creative/Art Director: Magnus Färnström
Account Executive: Ola Granfeldt
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Production Company: Adeprimo
AI animator: Arthur Machado
Post producer/Motion Designer: Verena Grahn
Retouch: RBLS
Advertising Agency: BANG Agency