AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.

Deals on everything possible and impossible

Coop

When Coop Östra tasked us with creating a campaign for January – arguably the toughest financial month of the year – we saw an opportunity to think outside the box. Instead of the usual product-centric visuals that dominate sales and discount campaigns, we chose to shift the focus to the consumer.

What we didn’t anticipate was the media frenzy that followed. The use of AI-generated imagery sparked widespread discussion, with articles in Aftonbladet, Aftonbladet Facebook, Daglivarunytt, P3 Nyheter, Citynytt, Sveriges Radio, Resumé Debate, two threads on Reddit, Reddit and on Nordisk AI debating the role of artificial intelligence in modern advertising. The campaign not only resonated with consumers – it became part of a bigger conversation.

One funny thing was that Aftonbladet’s article was written with the help of AI: “Sammanfattningen är gjord med stöd av Al-verktyg från OpenAl och kvalitetssäkrad av Aftonbladet.”

I liked this comment in Social Media: “Ni som klagar pả att Coop tar jobben från arbetarna genom att använda modern teknik, borde inte ni skriva brev till Coop istället för att använda modern teknik som sociala medier? Då kanske portot inte behöver höjas och vi får fler brevbärare?”

When the debater Ulrica Good comments on Coops earlier adverts, it just makes me laugh: “När jag tänker på COOP:s reklamfilmer är det helt blankt. Jag var tvungen att googla för att komma ihåg vad de gör. Och de är helt ok, men inget som fastnar.” That was exactly why we created this campaign – to stand out and be remembered and also try something new.

And the photographer Gustav Hallén wanted to show off and score some easy points. When he showcased his AI skills, he took a video frame screenshot from our campaign – a compressed video banner animated with AI in a 4×5 format – and used it for comparison. But for a fair test, I would have liked to see his still images animated first, then screenshotted at a random keyframe, and also in the correct compressed format. Naturally, his images would look better in that setup.

Interestingly, while Gustav was quick to respond to comments agreeing with him, he never engaged with this perspective. It’s always easier to entertain an echo chamber than to face a balanced conversation. Perhaps it’s a reminder that true creativity isn’t just about showing off skills – it’s about being open to all sides of the discussion.

Update – Three Months Later (2025-04-26) Remarkably, the campaign saw a new wave of attention three months after its initial launch. Svenska Dagbladet featured the campaign with a full-page spread in its weekend print edition – one of Sweden’s most prestigious newspapers – sparking renewed discussion. The story was also shared by Åkestam Holst on their official Instagram, further amplifying the exposure.

This resurgence highlights the campaign’s lasting impact and its ability to stay relevant over time.

Did some calculations with Chat GPT on this campaign – turns out the free exposure is worth a lot!

Range per channel
• Aftonbladet.se: ~300.000 views
• Aftonbladets Facebook: 10.000–20.000 views
• Citynytt: ~100.000 readers
• Dagligvarunytt: ~50.000 readers
• Sveriges Radio (Morgonpasset): ~500.000 listeners
• P3 Nyheter Instagram: ~160.000 followers
• LinkedIn post (Ulrica Good, freelance writer): ~157.000 views
• LinkedIn post (Max Rosell): 27.000 views
• LinkedIn post (Gustav Hallén): ~40 000 views
• Reddit posts: 140.000 views
• Nordisk AI: 50.000–100.000 views 
• Resumé.se (debate article): 50.000–100.000 views
• Svenska Dagbladet (print edition): ~500.000 readers
• Svenska Dagbladet (SvD.se): ~100.000 readers
• Åkestam Holst Instagram: ~10.000 views

Total reach: ~2,38–2,43 million people

PR value (ad cost for equivalent exposure)
• Aftonbladet.se: SEK 50.000–100.000
• Aftonbladets Facebook: SEK 10.000–25.000
• Citynytt: SEK 25.000–50.000
• Dagligvarunytt: SEK 25.000–50.000
• Sveriges Radio (Morgonpasset): SEK 100.000–200.000
• P3 Nyheter Instagram: SEK 50.000–100.000
• LinkedIn post (Ulrica Good, freelance writer): SEK 50.000–110.000
• LinkedIn post (Max Rosell): SEK 10.000–25.000
• LinkedIn post (Gustav Hallén, Photographer): SEK 15.000–30.000
• Reddit posts: SEK 30.000–60.000
• Nordisk AI: SEK 20.000–40.000
• Resumé.se (debate article): SEK 25.000–50.000
• Svenska Dagbladet (print edition): SEK 100.000–200.000
• Svenska Dagbladet (SvD.se): SEK 50.000–100.000
• Åkestam Holst Instagram post: SEK 5.000–10.000

Total estimate with PR value: SEK ~565.000–1.180.000

Creative Lead/Art Director/AI prompt: Max Rosell
Creative/Copywriter: Peter Fjäll
Creative/Art Director: Magnus Färnström
Account Executive: Ola Granfeldt
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Production Company: Adeprimo
AI animator: Arthur Machado
Post producer/Motion Designer: Verena Grahn
Retouch: RBLS
Advertising Agency: BANG Agency

AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.

Magical Deals

Coop Östra

For Coop, we introduced a delightful team of little green elves, each embodying a unique aspect of the customer experience. Meet the Deal Elf, the DJ Elf, the Peekaboo Elf, the Sleep Elf, the Baker Elf, the Quick Elf, and many more elfs – playful characters designed to create a memorable and engaging presence. The campaign was rolled out across Stockholm, Östergötland, Södermanland, and Uppsala, utilizing diverse formats such as subway escalator ads, Eurosize billboards, Print ads, instore materials, and interactive instore events where customers could create Christmas music with AI.

The campaign performed exceptionally well, with strong reach and engagement across all platforms. Meta delivered cost-efficient reach across target demographics, and Snapchat significantly overperformed among younger audiences. Display ads attracted over 8,000 clicks with high engagement, and the TV campaign reached over 4.2 million viewers, surpassing expectations. Out-of-home and print media exceeded delivery goals, maximizing visibility during the critical holiday season.

Creative Lead/Art Director/AI prompt: Max Rosell
Creative/Art Director: Magnus Färnström
Creative/Copywriter: Sara Nydrén
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Production Company: Adeprimo
Planner: Lars Andersson
Retouch: RBLS
Advertising Agency: BANG Agency

Magical Deals

Coop

For Coop, we introduced a delightful team of little Christmas elves, capturing the classic Swedish Julkalender spirit and presenting Magical Deals.

The campaign performed exceptionally well, with strong reach and engagement across all platforms. Meta delivered cost-efficient reach across target demographics, and Snapchat significantly overperformed among younger audiences. Display ads attracted over 8,000 clicks with high engagement, and the TV campaign reached over 4.2 million viewers, surpassing expectations. Out-of-home and print media exceeded delivery goals, maximizing visibility during the critical holiday season.

Creative Lead/Art Director: Max Rosell
Creative/Copywriter: Sara Nydrén
Creative/Art Director: Magnus Färnström
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt
Planner: Lars Andersson
Advertising Agency: BANG Agency
Production Company: Thirsty Film
Director: Magnus Jälthammar
Cinematography/Edit/Grading/Online: Ulf Gärdin
Second Camera: Josef Persson
Gaffer: Thomas Mets
Assistant Electrician: Jasper Mets Håkansson
Focus Puller: Emil Kullberg
VFX/Puppets: Ulf Lundén
Sound/Music: Markus Hasselblom
Packshot retouch: RBLS

Photography exhibition by the Swedish Armed Forces at the Army Museum, creatively led by Art Director Max Rosell. The exhibit highlights Sweden's support for Ukraine through portraits of Supreme Commander Micael Bydén and images from military training.
Photography exhibition by the Swedish Armed Forces at the Army Museum, creatively led by Art Director Max Rosell. The exhibit highlights Sweden's support for Ukraine through portraits of Supreme Commander Micael Bydén and images from military training.

Ukraine

Försvarsmakten

The Swedish Armed Forces present a photography exhibition at the Army Museum, showcasing Sweden’s support for Ukraine in its defensive war against Russia. The exhibition features powerful images from the training of Ukrainian soldiers on Swedish soil, interwoven with iconic portraits of Supreme Commander Micael Bydén as he signs Ukrainian flags. The Army Museum has provided a space within its premises for this temporary exhibit, aligning it with the ongoing exhibition “Crossroads” to connect historical and contemporary themes.

Creative/Art Director: Max Rosell
Creative/Planner: Lars Andersson
Account Executive/Production Manager: Natalie Rosenberg
Advertising Agency: BANG Agency

Let’s turn construction talk into ear candy

Bengt Dahlgren

Real urban development that makes a difference is sometimes challenging and complex. That’s never stopped us, but not everyone shares our approach. That’s why we invited Hedda Stiernstedt to narrate the report ‘Fire as a Factor in Lifecycle Analysis – How Fire Risk Impacts the Climate Footprint of Buildings’. Take a moment to enjoy some unfiltered urban development.

Creative/Art Director/Copywriter: Max Rosell
Creative/Planner/Copywriter: Lars Andersson
DOP: Jacob Wikmark
DOP/Post producer/Online/Grade: Verena Grahn
Production Manager: Max Rosell, Patrick Walldén
Account Executive: Patrick Walldén
Voice Actor: Hedda Stiernstedt
Advertising Agency: BANG Agency

Not Just a Bag of Trash campaign for Städa Sverige by Max Rosell – featuring youth athletes cleaning nature and raising 8.8M SEK through yellow bag cleanups.

Not Just a Bag of Trash

Städa Sverige

A print ad for a new communication concept for Städa Sverige (Clean Sweden), which works with local youth sports teams to keep Sweden litter-free. They serve animals and nature through environmental projects, where young athletes are tasked with cleaning up litter in their local communities. Their most famous effort is the cleanup with the yellow bags along Sweden’s roads, but they also run projects focused on cities & municipalities, coasts, nature & rivers, and water. This time Vanessa Kamga a Swedish athlete specialising in the discus throw joined our team.

In 2023, 26,119 participants filled over 21,000 yellow bags with litter from Sweden’s natural areas, raising 8.8 million SEK for Swedish youth sports!

Creative/Art Director: Max Rosell
Creative/Copywriter: Alba Montheli
Account Executive: Christian Nivelius
Photographer: Michel Szabo
Retouch: Christer Avebjer
Advertising Agency: BANG Agency

AI-generated imagery for Boulebar Liljeholmen, developed by Max Rosell for the ‘Perdre la boule’ campaign exploring playful surrealism.
AI-generated imagery for Boulebar Liljeholmen, developed by Max Rosell for the ‘Perdre la boule’ campaign exploring playful surrealism.
AI-generated imagery for Boulebar Liljeholmen, developed by Max Rosell for the ‘Perdre la boule’ campaign exploring playful surrealism.
AI-generated imagery for Boulebar Liljeholmen, developed by Max Rosell for the ‘Perdre la boule’ campaign exploring playful surrealism.

Perdre la boule

Boulebar

AI-photography for Boulebar (Liljeholmen). I collaborated with the Boulebar team at the agency to create AI-generated photos, achieving excellent results.

Art Director/AI prompt: Max Rosell
Advertising Agency: BANG Agency

The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.

The RagSock

Norrenergi

Norrenergi provides sustainable district heating to Solna and Sundbyberg. During the year, a new communication concept was launched: “We make Norrenergi supplies sustainable district heating to the communities of Solna and Sundbyberg. In line with our recent communication concept, “Making Solna and Sundbyberg a Little Warmer,” we are committed to go beyond providing heat. We aim to engage and be a meaningful contributor to Solna and Sundbyberg neighborhoods.

Purpose and goals
Not everyone has warm feet in the winter. Especially Warm feet are a luxury not everyone enjoys, particularly the homeless, whose numbers are sadly on the rise. To address this, we’ve initiated a warming initaive: knitting wool socks. The project is a collaboration with local enthusiasts eager to extend a helping hand to those in need. We sell the hand-knitted socks at raggsockan.se and various local events, and all profits are directed to Stockholms Stadsmission. By providing the necessary materials and offering knitting lessons, we invite the entire community to contribute.

Brief
The advertising for district heating is generic. And boring. It’s drone shots of nice houses, people drinking tea, a cute cat on a radiator, and warm The typical advertising narrative for district heating is boring and generic, often showcasing people enjoying tea, cats luxuriating on radiators, and the comfort of warm showers. Our task was to be different. The RagSock initiative demonstrate Norrenergi’s commitment to spread warmth and highlight our role as an important part of the Solna and Sundbyberg communities.

Creative/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt, Liam Moorcroft
Content Manager: Mira Blomstersjö
Photographer: Sun Kim
DOP/Post producer/Online/Grade: Verena Grahn
Digital strategi/Ad spend: Sthlm Stratlab
Strategisk projektledare: William Friman
Mediarådigivare: Sofia Hult 
Dataanalytiker: Viktor Lingslunde 
Client: Monica Vilhelmson, Maria Carvinge, Annika Bremborg, Norrenergi
Advertising Agency: BANG Agency

UNICEF’s Absence campaign by Max Rosell, featuring 100 glowing backpacks symbolizing children missing from school due to global education inequality.
UNICEF’s Absence campaign by Max Rosell, featuring 100 glowing backpacks symbolizing children missing from school due to global education inequality.
UNICEF’s Absence campaign by Max Rosell, featuring 100 glowing backpacks symbolizing children missing from school due to global education inequality.
UNICEF’s Absence campaign by Max Rosell, featuring 100 glowing backpacks symbolizing children missing from school due to global education inequality.

Absence

UNICEF

UNICEF actively works to address our world’s global education crisis where around 244 million children are out of school, and 70% of the world’s ten-year-olds lack basic reading skills. BANG’s mission was to assist UNICEF in highlighting the education crisis and increasing engagement for children’s right to education. The goal was to inspire the public to actively support children’s right to education.

Using 100 illuminated school backpacks placed in an empty fictional classroom at Norrmalmstorg, we highlighted the severity of the education crisis. The result exceeded expectations: we reached a broad audience, generated significant funds, and established a long-term partnership with the Akelius Foundation, which doubled the funds raised. The campaign was successful in raising awareness and support for UNICEF’s education initiatives.

Creative/Art Director: Max Rosell
Account Executive: Alexandra Schytt
Account Manager Intern: Sara Sigurlaug, Vidar Hesselstad
Final Art: Lisa Evenås
Motion Graphics Designer: Verena Grahn
DOP/Post producer/Online/Grade: Nugglund AB
Photographer: Melker Dahlstrand, Nugglund AB
Client: Anna Kjellstrom, Daniela Holm Verzola, UNICEF
Advertising Agency: BANG Agency

Awards & Nominations: Spinn Awards

Match ticket campaign for Norrenergi by Max Rosell, featuring billboards in Solna with real AIK football tickets available for community pickup.
Match ticket campaign for Norrenergi by Max Rosell, featuring billboards in Solna with real AIK football tickets available for community pickup.
Match ticket campaign for Norrenergi by Max Rosell, featuring billboards in Solna with real AIK football tickets available for community pickup.
Match ticket campaign for Norrenergi by Max Rosell, featuring billboards in Solna with real AIK football tickets available for community pickup.
Match ticket campaign for Norrenergi by Max Rosell, featuring billboards in Solna with real AIK football tickets available for community pickup.
Match ticket campaign for Norrenergi by Max Rosell, featuring billboards in Solna with real AIK football tickets available for community pickup.

Match tickets

Norrenergi

Norrenergi is the local energy company that provides smart and sustainable district heating. However, it’s not just about keeping homes and places warm. It’s about making things a little warmer everywhere in Solna and Sundbyberg. That’s why Norrenergi supports youth sports and the clubs that enable their activities.

When it was Norrenergi’s turn to be the official sponsor for an AIK football match, we wanted to do something more than just sit in the VIP stands and eat hotdogs. We decided to share match tickets with the community.

We simply taped match tickets to a billboard in Solna. Anyone could come by and pick up their ticket. We were there to put up new tickets throughout the week leading up to the match.

Channels: OOH, Meta, Live, Friends Arena
Target area: Solna/Sundbyberg. 
Total reach: 154 000
Audience during match: 21 176

Creative/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Christian Nivelius
Account Manager: Isabelle Bergqvist
Production management: Liam Moorcroft
Project Assistant: Pelle Nisbel Fjäll
Photographer: Liam Moorcroft, Peter Nisbel Fjäll
Post producer, Online, Grade: Peter Nisbel Fjäll
Digital strategi/Ad spend: Sthlm Stratlab
Strategisk projektledare: William Friman
Mediarådigivare: Sofia Hult 
Dataanalytiker: Viktor Lingslunde 
Client: Monica Vilhelmson, Maria Carvinge, Annika Bremborg, Norrenergi
Advertising Agency: BANG Agency