AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.
AI-generated ad campaign for Coop, led by Art Director and Creative Lead Max Rosell.

Deals on everything possible and impossible

Coop

When Coop Östra tasked us with creating a campaign for January – arguably the toughest financial month of the year – we saw an opportunity to think outside the box. Instead of the usual product-centric visuals that dominate sales and discount campaigns, we chose to shift the focus to the consumer.

What we didn’t anticipate was the media frenzy that followed. The use of AI-generated imagery sparked widespread discussion, with articles in Aftonbladet, Aftonbladet Facebook, Daglivarunytt, P3 Nyheter, Citynytt, Sveriges Radio, Resumé Debate, two threads on Reddit, Reddit and on Nordisk AI debating the role of artificial intelligence in modern advertising. The campaign not only resonated with consumers – it became part of a bigger conversation.

One funny thing was that Aftonbladet’s article was written with the help of AI: “Sammanfattningen är gjord med stöd av Al-verktyg från OpenAl och kvalitetssäkrad av Aftonbladet.”

I liked this comment in Social Media: “Ni som klagar pả att Coop tar jobben från arbetarna genom att använda modern teknik, borde inte ni skriva brev till Coop istället för att använda modern teknik som sociala medier? Då kanske portot inte behöver höjas och vi får fler brevbärare?”

When the debater Ulrica Good comments on Coops earlier adverts, it just makes me laugh: “När jag tänker på COOP:s reklamfilmer är det helt blankt. Jag var tvungen att googla för att komma ihåg vad de gör. Och de är helt ok, men inget som fastnar.” That was exactly why we created this campaign – to stand out and be remembered and also try something new.

And the photographer Gustav Hallén wanted to show off and score some easy points. When he showcased his AI skills, he took a video frame screenshot from our campaign – a compressed video banner animated with AI in a 4×5 format – and used it for comparison. But for a fair test, I would have liked to see his still images animated first, then screenshotted at a random keyframe, and also in the correct compressed format. Naturally, his images would look better in that setup.

Interestingly, while Gustav was quick to respond to comments agreeing with him, he never engaged with this perspective. It’s always easier to entertain an echo chamber than to face a balanced conversation. Perhaps it’s a reminder that true creativity isn’t just about showing off skills – it’s about being open to all sides of the discussion.

Update – Three Months Later (2025-04-26) Remarkably, the campaign saw a new wave of attention three months after its initial launch. Svenska Dagbladet featured the campaign with a full-page spread in its weekend print edition – one of Sweden’s most prestigious newspapers – sparking renewed discussion. The story was also shared by Åkestam Holst on their official Instagram, further amplifying the exposure.

This resurgence highlights the campaign’s lasting impact and its ability to stay relevant over time.

Did some calculations with Chat GPT on this campaign – turns out the free exposure is worth a lot!

Range per channel
• Aftonbladet.se: ~300.000 views
• Aftonbladets Facebook: 10.000–20.000 views
• Citynytt: ~100.000 readers
• Dagligvarunytt: ~50.000 readers
• Sveriges Radio (Morgonpasset): ~500.000 listeners
• P3 Nyheter Instagram: ~160.000 followers
• LinkedIn post (Ulrica Good, freelance writer): ~157.000 views
• LinkedIn post (Max Rosell): 27.000 views
• LinkedIn post (Gustav Hallén): ~40 000 views
• Reddit posts: 140.000 views
• Nordisk AI: 50.000–100.000 views 
• Resumé.se (debate article): 50.000–100.000 views
• Svenska Dagbladet (print edition): ~500.000 readers
• Svenska Dagbladet (SvD.se): ~100.000 readers
• Åkestam Holst Instagram: ~10.000 views

Total reach: ~2,38–2,43 million people

PR value (ad cost for equivalent exposure)
• Aftonbladet.se: SEK 50.000–100.000
• Aftonbladets Facebook: SEK 10.000–25.000
• Citynytt: SEK 25.000–50.000
• Dagligvarunytt: SEK 25.000–50.000
• Sveriges Radio (Morgonpasset): SEK 100.000–200.000
• P3 Nyheter Instagram: SEK 50.000–100.000
• LinkedIn post (Ulrica Good, freelance writer): SEK 50.000–110.000
• LinkedIn post (Max Rosell): SEK 10.000–25.000
• LinkedIn post (Gustav Hallén, Photographer): SEK 15.000–30.000
• Reddit posts: SEK 30.000–60.000
• Nordisk AI: SEK 20.000–40.000
• Resumé.se (debate article): SEK 25.000–50.000
• Svenska Dagbladet (print edition): SEK 100.000–200.000
• Svenska Dagbladet (SvD.se): SEK 50.000–100.000
• Åkestam Holst Instagram post: SEK 5.000–10.000

Total estimate with PR value: SEK ~565.000–1.180.000

Creative Lead/Art Director/AI prompt: Max Rosell
Creative/Copywriter: Peter Fjäll
Creative/Art Director: Magnus Färnström
Account Executive: Ola Granfeldt
Account Manager: Amelie Lagerstedt
Final Art: Olof Rogbrant
Production Company: Adeprimo
AI animator: Arthur Machado
Post producer/Motion Designer: Verena Grahn
Retouch: RBLS
Advertising Agency: BANG Agency

Magical Deals

Coop

For Coop, we introduced a delightful team of little Christmas elves, capturing the classic Swedish Julkalender spirit and presenting Magical Deals.

The campaign performed exceptionally well, with strong reach and engagement across all platforms. Meta delivered cost-efficient reach across target demographics, and Snapchat significantly overperformed among younger audiences. Display ads attracted over 8,000 clicks with high engagement, and the TV campaign reached over 4.2 million viewers, surpassing expectations. Out-of-home and print media exceeded delivery goals, maximizing visibility during the critical holiday season.

Creative Lead/Art Director: Max Rosell
Creative/Copywriter: Sara Nydrén
Creative/Art Director: Magnus Färnström
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt
Planner: Lars Andersson
Advertising Agency: BANG Agency
Production Company: Thirsty Film
Director: Magnus Jälthammar
Cinematography/Edit/Grading/Online: Ulf Gärdin
Second Camera: Josef Persson
Gaffer: Thomas Mets
Assistant Electrician: Jasper Mets Håkansson
Focus Puller: Emil Kullberg
VFX/Puppets: Ulf Lundén
Sound/Music: Markus Hasselblom
Packshot retouch: RBLS

The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.
The RagSock campaign by Max Rosell for Norrenergi – highlighting community warmth through hand-knitted wool socks sold in support of Stockholm’s homeless.

The RagSock

Norrenergi

Norrenergi provides sustainable district heating to Solna and Sundbyberg. During the year, a new communication concept was launched: “We make Norrenergi supplies sustainable district heating to the communities of Solna and Sundbyberg. In line with our recent communication concept, “Making Solna and Sundbyberg a Little Warmer,” we are committed to go beyond providing heat. We aim to engage and be a meaningful contributor to Solna and Sundbyberg neighborhoods.

Purpose and goals
Not everyone has warm feet in the winter. Especially Warm feet are a luxury not everyone enjoys, particularly the homeless, whose numbers are sadly on the rise. To address this, we’ve initiated a warming initaive: knitting wool socks. The project is a collaboration with local enthusiasts eager to extend a helping hand to those in need. We sell the hand-knitted socks at raggsockan.se and various local events, and all profits are directed to Stockholms Stadsmission. By providing the necessary materials and offering knitting lessons, we invite the entire community to contribute.

Brief
The advertising for district heating is generic. And boring. It’s drone shots of nice houses, people drinking tea, a cute cat on a radiator, and warm The typical advertising narrative for district heating is boring and generic, often showcasing people enjoying tea, cats luxuriating on radiators, and the comfort of warm showers. Our task was to be different. The RagSock initiative demonstrate Norrenergi’s commitment to spread warmth and highlight our role as an important part of the Solna and Sundbyberg communities.

Creative/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Account Executive: Christian Nivelius
Account Manager: Amelie Lagerstedt, Liam Moorcroft
Content Manager: Mira Blomstersjö
Photographer: Sun Kim
DOP/Post producer/Online/Grade: Verena Grahn
Digital strategi/Ad spend: Sthlm Stratlab
Strategisk projektledare: William Friman
Mediarådigivare: Sofia Hult 
Dataanalytiker: Viktor Lingslunde 
Client: Monica Vilhelmson, Maria Carvinge, Annika Bremborg, Norrenergi
Advertising Agency: BANG Agency

The Psychologist

Showroom

Showroom wants to introduce a new way to shop online and has created Sweden’s first and largest gathering place for Live Shopping streams from various companies and influencers. Live shopping is something different than scrolling through an e-shopping page that looks and works just like an old catalog. Here, consumers can interact, get inspiration, get tips, chat and shop live. And companies can get inspiration and help with production. In China, Live Shopping has a turnover of 170 billion dollars per year, and 500 million people in the country consume the format every day.

Showroom wants to make Live Shopping big in the Nordics. The campaign is about showing in an unexpected way that you can shop wherever and whenever you want and that you as a consumer can actually interact with brands. Showroom will become “The home of live shopping” and drive both consumers and brands to the platform.

The films were shown digitally – Youtube, LinkedIn, Facebook, Instagram, Snapchat, Pinterest, Tiktok.

Creative/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Motion Graphic: Verena Grahn
Account Executive: Christian Nivelius
Production Manager: Isabelle Bergqvist
Planner: Lars Andersson
Director: Sebastian Hedin
Producer: Niklas Adolfsson, Thirsty
DOP: Kenneth Ishii/Rockson
DIT: Federico Tonozzi
Casting: Sara & Jag
Soundtech: Felix Aneer
Electrician: Peter Övgård
Set designer: Joel Junsjö, Max Stenerudh
Video Editor: Gustav Öström/WGT
Postproduktion: The Chapel Films
Sound Edit: Red Pipe
Client: Maria Olsson, Anesa Dzamastagic
Advertising Agency: BANG Agency

The Street Musicians

Showroom

Showroom wants to introduce a new way to shop online and has created Sweden’s first and largest gathering place for Live Shopping streams from various companies and influencers. Live shopping is something different than scrolling through an e-shopping page that looks and works just like an old catalog. Here, consumers can interact, get inspiration, get tips, chat and shop live. And companies can get inspiration and help with production. In China, Live Shopping has a turnover of 170 billion dollars per year, and 500 million people in the country consume the format every day.

Showroom wants to make Live Shopping big in the Nordics. The campaign is about showing in an unexpected way that you can shop wherever and whenever you want and that you as a consumer can actually interact with brands. Showroom will become “The home of live shopping” and drive both consumers and brands to the platform.

The films were shown digitally – Youtube, LinkedIn, Facebook, Instagram, Snapchat, Pinterest, Tiktok.

Creative/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Motion Graphic: Verena Grahn
Account Executive: Christian Nivelius
Production Manager: Isabelle Bergqvist
Planner: Lars Andersson
Director: Sebastian Hedin
Producer: Niklas Adolfsson, Thirsty
DOP: Kenneth Ishii/Rockson
DIT: Federico Tonozzi
Casting: Sara & Jag
Soundtech: Felix Aneer
Electrician: Peter Övgård
Set designer: Joel Junsjö, Max Stenerudh
Video Editor: Gustav Öström/WGT
Postproduktion: The Chapel Films
Sound Edit: Red Pipe
Client: Maria Olsson, Anesa Dzamastagic
Advertising Agency: BANG Agency

The Youngsters

Showroom

Showroom wants to introduce a new way to shop online and has created Sweden’s first and largest gathering place for Live Shopping streams from various companies and influencers. Live shopping is something different than scrolling through an e-shopping page that looks and works just like an old catalog. Here, consumers can interact, get inspiration, get tips, chat and shop live. And companies can get inspiration and help with production. In China, Live Shopping has a turnover of 170 billion dollars per year, and 500 million people in the country consume the format every day.

Showroom wants to make Live Shopping big in the Nordics. The campaign is about showing in an unexpected way that you can shop wherever and whenever you want and that you as a consumer can actually interact with brands. Showroom will become “The home of live shopping” and drive both consumers and brands to the platform.

The films were shown digitally – Youtube, LinkedIn, Facebook, Instagram, Snapchat, Pinterest, Tiktok.

Creative/Art Director: Max Rosell
Creative/Copywriter: Peter Fjäll
Motion Graphic: Verena Grahn
Account Executive: Christian Nivelius
Production Manager: Isabelle Bergqvist
Planner: Lars Andersson
Director: Sebastian Hedin
Producer: Niklas Adolfsson, Thirsty
DOP: Kenneth Ishii/Rockson
DIT: Federico Tonozzi
Casting: Sara & Jag
Soundtech: Felix Aneer
Electrician: Peter Övgård
Set designer: Joel Junsjö, Max Stenerudh
Video Editor: Gustav Öström/WGT
Postproduktion: The Chapel Films
Sound Edit: Red Pipe
Client: Maria Olsson, Anesa Dzamastagic
Advertising Agency: BANG Agency

Streamed Heat

Norrenergi

A long-term concept around a father’s interest in district heating and the situations it creates in the family.

Creative/Copywriter: Peter Fjäll
Creative/Art Director: Max Rosell
Account Executive: Christian Nivelius
Production Manager: Isabelle Bergqvist
Planner: Lars Andersson
Production Company: Parapix
Director: Joel Ängeby
Executive Producer: Karl Blom
Producer: Joakim Ottander
DP: Daniel Hjellum
Post Producer: Louise Ahrén
Editor: Cecilia Callander
Grade: Marcell Lobenwein
Online: Joel Ängeby
Digital Strategy/Ad Spend: Sthlm Stratlab
Strategic Projectmanager: William Friman
Media Consultant: Sofia Hult
Data Analyst: Viktor Lingslunde
Client: Monica Vilhelmson, Maria Carvinge, Annika Bremborg, Norrenergi
Advertising Agency: BANG Agency

The Meeting campaign for Ordna Bolån – Flyttdags concept using humor to challenge mortgage ad norms through smart digital storytelling.

The Neighbour

Ordna Bolån

The new brand “Orda Bolån” wanted to establish its trademark and unique mortgage brokerage.

The challenge was to reach people who wanted to buy a new home and thus needed a loan promise. The budget was limited, so the brand and the offer needed to be conveyed quickly and uncomplicatedly. Therefore, we chose to focus the media strategy around digital channels

We saw that many competitors communicated generically and were very offer-focused. So we did the opposite. With a concept called “Flyttdags,” we humorously showed different situations when it might be time to start thinking about buying a new home. Fun and unique in the industry!

Idea & Script: Max Rosell, Cristine Berglund, Henrik Freudenthal
Account Executive: Patrick Walldén
Production Company: Parapix
Director: Cristine Berglund 
DP: Max Lander
Still photographer: Magnus Anderssen
Producer: Dilun Riad
Client: Hemad Razavi, Jessica Larholm, OrdaBolån
Advertising Agency: BANG Agency

The Meeting

Ordna Bolån

The new brand “Orda Bolån” wanted to establish its trademark and unique mortgage brokerage.

The challenge was to reach people who wanted to buy a new home and thus needed a loan promise. The budget was limited, so the brand and the offer needed to be conveyed quickly and uncomplicatedly. Therefore, we chose to focus the media strategy around digital channels

We saw that many competitors communicated generically and were very offer-focused. So we did the opposite. With a concept called “Flyttdags,” we humorously showed different situations when it might be time to start thinking about buying a new home. Fun and unique in the industry!

Idea & Script: Max Rosell, Cristine Berglund, Henrik Freudenthal
Account Executive: Patrick Walldén
Production Company: Parapix
Director: Cristine Berglund 
DP: Max Lander
Still photographer: Magnus Anderssen
Producer: Dilun Riad
Client: Hemad Razavi, Jessica Larholm, OrdaBolån
Advertising Agency: BANG Agency

The Dinner

Ordna Bolån

The new brand “Orda Bolån” wanted to establish its trademark and unique mortgage brokerage.

The challenge was to reach people who wanted to buy a new home and thus needed a loan promise. The budget was limited, so the brand and the offer needed to be conveyed quickly and uncomplicatedly. Therefore, we chose to focus the media strategy around digital channels

We saw that many competitors communicated generically and were very offer-focused. So we did the opposite. With a concept called “Flyttdags,” we humorously showed different situations when it might be time to start thinking about buying a new home. Fun and unique in the industry!

Idea & Script: Max Rosell, Cristine Berglund, Henrik Freudenthal
Account Executive: Patrick Walldén
Production Company: Parapix
Director: Cristine Berglund 
DP: Max Lander
Still photographer: Magnus Anderssen
Producer: Dilun Riad
Client: Hemad Razavi, Jessica Larholm, OrdaBolån
Advertising Agency: BANG Agency